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DTSTART;TZID=Europe/Rome:20150211T083000
DTEND;TZID=Europe/Rome:20150213T170000
DTSTAMP:20260417T001411
CREATED:20150203T095336Z
LAST-MODIFIED:20150203T095624Z
UID:10000033-1423643400-1423846800@www.sissco.it
SUMMARY:Public History and the Media
DESCRIPTION:11 February 2015 – Villa Schifanoia \n12 February 2015 – Villa Salviati \n13 February 2015 – Badia Fiesolana \n  \nScientific organizers: Luca Molà\, Serge Noiret\, Lucy Riall \nAdministrative coordinator: Sandra Toffolo \nSecretary: Laura Borgese \nThe organizers extend a special thanks to the Max Weber Programme’s Academic Careers Observatory\, the President’s Office of the EUI and the Historical Archives of the European Union for their support for this workshop. \nAbstract \nIn recent decades\, public enthusiasm for history and popular engagement with the past has grown dramatically. The popularity of history is manifested most visibly in the proliferation of television documentaries and historical dramas but it is also discernible in the rebirth of the historical novel\, the organization of large-scale commemorations of historical anniversaries\, the development of new historical museums and exhibitions\, re-enactments and living history activities and the emergence of public history as a separate field of academic study. Digitization has also brought history and historical research to the broader public in hitherto unconceivable ways. Yet\, for the most part\, and with some notable exceptions\, academic historians have remained extraneous to these developments\, and their relationship to the public is different from that of public historians. \nIs this difference between academic and public historians only about different professional ambitions\, separate audiences and a different use of communication media? While it is not possible to become a public historian without an academic background\, it is possible to be an academic historian without engaging in public history. Both are professional historians working with the past: their roles and their audiences are complementary although their practices are different in terms of methodology and forms of communication. Moreover\, the development of public history raises questions about historical interpretation and the political use of the past that concern all historians\, and should provoke a debate about ownership of the past in which both academic and public historians have much to contribute. \nThis workshop brings together a number of leading practitioners in the field of public history and the media to discuss the current state of the field and in order to explore the relationship between public history and academic history. \nThe first day of the workshop will be given over to exploring the relationship between history and media culture\, with panels on oral history\, publishing and teaching\, films and the phenomenon of so-called ‘media dons’. The second day will focus on digital public history tools\, practices and narratives. The third day will deal with the history of public history in the USA\, discuss public history as an alternative career and look at public history in museums and exhibitions. \nDay 1 \nWednesday 11 February 2015 – Villa Schifanoia\, Sala Europa \n8.30-9.00 Registration (Sala Bandiere) \n9.00-9.30 Welcome and Introduction \n  \n9.30-11.00 Session 1 – Oral History \nChair: \nLuisa Passerini (EUI) \n‘L’Archivio degli Iblei’ and ‘Terramatta’: Sharing Memories Publically \nChiara Ottaviano (Cliomedia Officina\, Turin) \nOral History and Video Performance \nGiovanni Contini Bonacossi (Associazione Italiana Storia Orale) \n‘Italy in a Day’ by Gabriele Salvatores: The First Italian User Generated Film \nIlaria Castiglioni (Indiana Production\, Milan) \n11.00-11.30 Coffee Break \n  \n11.30-13.00 Session 2 – Publishing \nChair: \nLucy Riall (EUI) \nBig History: Making New History Books into Major Events \nSimon Winder (Penguin) \nFrom Written to Live History: A Publisher’s Experience \nGiuseppe Laterza (Laterza Editore) \n13.00-14.30 Lunch \n  \n14.30-16.00 Session 3 – Teaching Public History and the Use of Textbooks \nChair: \nStéphane Van Damme (EUI) \nInventing Europe: Teaching Europe Through the Lens of Technology \nSuzanne Lommers (Foundation for the History of Technology) \nMaster Narratives and History Education: Wasn’t the Spanish Reconquest Actually a Conquest? \nMario Carretero (EUI & Universidad Autonoma Madrid) \nTeaching Digital Public History \nEnrica Salvatori (Università degli Studi di Pisa) \n16.00-16.15 Break \n  \n16.15-17.15 Session 4 – TV and Radio \nChair: \nYoussef Cassis (EUI) \nBroadcasting History: The Constraints and Possibilities of the Medium \nLuca Molà (EUI) and Lucy Riall (EUI) in conversation with Amanda Vickery (Queen Mary University of London) \n17.15-17.45 Coffee Break \n17.45-20.15 Rai Fiction Film: Un mondo nuovo – Altiero Spinelli \nIntroduction \nPier Virgilio Dastoli (Consiglio Italiano del Movimento Europeo) and Alberto Negrin (Director) \nProjection of the Film (with English subtitles) \nQ & A \n  \nDay 2 \nThursday 12 February 2015 – Historical Archives of the \nEuropean Union\, Villa Salviati \n9.00-9.45 Keynote Lecture – What is Digital Public History? \nMark Tebeau (Arizona State University) \n  \n9.45-11.15 Session 5 – Digital Public History Narratives \nChair: \nRebecca Conard (Middle Tennessee State University) \nUrban Media Archive in the City of Lviv: From Collecting to Engaging \nBohdan Shumylovych (EUI & Center for Urban History of East-Central Europe) \nCENDARI: The Collaborative European Digital Archive Infrastructure for the Study of WW1 and Medieval Culture \nAndrea Buchner (University of Birmingham) \nFrom the War to the Web: Crossing Borders with the Europeana 1914-1918 Project \nAd Pollé (Europeana) \n11.15-11.45 Coffee Break \n11.45-13.15 Session 6 – Digital Archives \nChair: \nDieter Schlenker (EUI-Historical Archives of the European Union) \nThe Medici Archive: Private Collection and Public Use \nAlessio Assonitis (The Medici Archive Project) \nThe Venice Time Machine Project \nFrédéric Kaplan (École Polytechnique Fédérale de Lausanne) \n13.15-15.00 Lunch \n  \n15.00-16.30 Session 7 – Mobile and Time-Based History \nChair: \nMark Tebeau (Arizona State University) \nMemory Sharing and the New Media in Exhibiting Florence 1940-1944 \nValeria Galimi (Università della Tuscia) \nOral History Contents in the Web: The Memoro Archive \nLuca Novarino (Memoro Project) \nIn Susan Horner’s Florence \nAlyson Price (The British Institute of Florence) \n16.30-17.00 Coffee Break \n  \n17.00-18.30 Session 8 – European Narratives \nChair: \nFederico Romero (EUI) \nWriting a New History of Europe \nFrédéric Clavert (Labex EHNE\, Paris) \nUsing EU Websites for the History of European Integration \nDieter Schlenker (EUI-Historical Archives of the European Union) \nHistoGraph: Human and Machine Computation for European Integration Studies \nLars Wieneke (CVCE Luxembourg) \n  \nDay 3 \nFriday 13 February 2015 – Badia Fiesolana\, Refectory \n  \n9.00-10.30 Session 9 – Public History in the USA \nChair: \nSerge Noiret (EUI) \nThe Pragmatic Turn in American Historical Thought and Public History Education in the United States \nRebecca Conard (Middle Tennessee State University) \nReflective Practice: Public History’s Signature Pedagogy \nPatricia Mooney-Melvin (Loyola University Chicago) \nPublic History in the 21st Century: Entrepreneurial Practice within a Shifting Professional Market \nPatrick Moore (President National Council on Public History; University of West Florida\, Pensacola; Historical Research Associates) \n10.30-11.00 Coffee Break \n  \n11.00-13.00 Session 10 – EUI HEC Alumni Roundtable \nWhich Kind of Public Historians Are We? Public History as an Alternative Job Market for EUI Alumni \nChair: \nThomas Cauvin (University of Louisiana at Lafayette) \nSpeakers: \nDan H. Andersen (Freelance Historian\, Reenactor\, and Writer\, Copenhagen) \nJozefien De Bock (Curator Project Migration\, STAM -City Museum Ghent) \nChristine Dupont (European Parliament-House of History) \nTorsten Feys (Public History Programme Ghent University) \nCiaran O’Scea (Curator\, Irish and the Spanish Monarchy Exhibition\, Archivo General de Simancas) \nSven Mesinovic (Museumspädagoge (freelance) Stiftung Deutsches Technikmuseum Berlin) \nMarkus J. Prutsch (European Parliament) \nAurora Savelli (Portale ‘Storia di Firenze’) \nSandra Toffolo (EUI-European History Primary Sources) \nGerben Zaagsma (Project Anne Frank\, Lichtenberg-Kolleg – the Göttingen Institute of Advanced Study) \n13.00-14.30 Lunch \n  \n14.30-17.00 Session 11 – Museums and Exhibitions \nChair: \nLuca Molà (EUI) \nNarrating Europe in a Museum? The House of European History \nÉtienne Deschamps (European Parliament) \nOrigins and Evolution of a Private Museum \nStefania Ricci (Museo Salvatore Ferragamo\, Florence) \nMuseum-Based Research: The View from the Victoria & Albert \nBill Sherman (Victoria & Albert Museum) & Marta Ajmar (Victoria & Albert Museum) \n17.00-17.30 Concluding Remarks and Coffee \n  \nSCIENTIFIC SPONSORS: \nMedici Archive Project \nCliomedia Officina \nPortale ‘Storia di Firenze’ \nThe British Institute of Florence \nCenter for Urban History of East-Central Europe \nNational Council on Public History \nCentre virtuel de la connaissance de l’Europe \nEuropean History Primary Sources \nInternational Federation for Public History \nMuseo Salvatore Ferragamo
URL:https://www.sissco.it/calendario/public-history-and-the-media/
LOCATION:European University Institute\, Fiesole
CATEGORIES:Workshop
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